Hand-crafted Bamboo Fly Rods

Hand-crafted Split Bamboo Fly Rod By Lee Koch

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Philosophy and Process

I learned fishing as many Midwest kids do, with a bobber, worms and a Zebco rod and reel. Bullheads and bluegill were standard fare, with a big catfish as a rare prize. We had fun, and it got us outdoors and away from parents. In my early adult years, I set aside fishing for other pursuits, and only came back to it after reading Gierach and MacLean. When I did, I came back as a wanna-be fly fisherman, and not long after, as a bamboo fly fisherman.

I've always enjoyed making stuff, be it beer, wine, or bamboo flyrods. For a time, I think it was an antidote to the corporate numbers-and-concepts job I had. Something real, tangible, something that produced something useful. It’s just satisfying to create things (hopefully good things) that didn’t exist before. Of course, as any hobbyist knows, once you get involved in something, levels and levels of nuance and detail appear – it’s usually enough to bore at outsider to tears but it keeps the hobby interesting and challenging.

At the core of bamboo rodmaking though, is tapers. There’s a huge variation in available tapers, from fast to slow, from long to short, and all kinds of permutations in-between. I was lucky to attend a rod-makers gathering early-on in my “career” as a rod-builder. And aside from meeting lots of great people, I learned one very important lesson – there are lots of tapers out there that are no good – for me! Good for others maybe, or just good in a way I can’t recognize, but no good for me. And if you’re going to spend 50 or 60 hours making a rod, you should have some reasonable expectation that the end result is going to be worth it. This realization led me to conclude that I would try not to build rods based on tapers I hadn’t cast and liked. I’ve made a few exceptions, but for the most part, I’ve stuck with that rule. That means, I think, that my rods have started to represent an identifiable “style.”

I like rods that cast with authority, rods that have the muscle to reach out when you need them to and the backbone to fight a fish if you have to. At the same time, I hate “clubby” rods, fat unresponsive broomsticks that may indeed project a complete flyline, but that do nothing to tell you what is happening on the other end of the fly line, which is one of the very most appealing characteristics of a good bamboo fly rod. Most parabolics and wet-fly rods whatever their inherent casting efficiency, require a deliberate casting stroke that doesn’t match the way I fish. On the lawn I can cast them just fine, but they don’t fit my natural stroke, which is what takes over when you’re standing in a stream thinking about the riser 25 feet above you. Somewhere between the 2 extremes is a class of rods that are light, responsive, delicate, but with power in reserve.

I look for tapers that have something “special” about them (or better, several “something specials” in the same rod): they have a unique springiness to them that adds to the feeling that the rod “casts itself”, or they have smooth power transfer which makes for tight loops and straight casts; or the rod has a reserve of power that will willingly reach out that extra 15 feet to get your fly on top of the rising fish; or it has a soft delicate touch that will drop your leader exactly in the small pocket the fish is holding in… Those are great rods.

I'm an amateur builder who only builds a few rods a year. Unless I am plain experimenting, I want to be confident that each rod I build is likely to have some special magic built into it. Otherwise, it’s not worth the investment of time and thought.

In terms of construction, I hand-split my culms, and although I have made blond, flamed and brown-tone rods, I really like the mottled flamed look found on many Paul Young rods. I plane the old-fashioned way, with a Stanley 9-1/2 over steel forms. I have never used any glue but Urac 185 or Resorcinol, both of which have stood the test of time, and which contribute an extra little “punch” to the rods they hold together.

Silk wraps hold the guides on, always a main color complemented with one or 2 tipping colors. These days I prefer color-preserved wraps, although I have done it both ways. I use Snake brand bronzed guides, which in my view are the only color guides to look right on bamboo. Snake brand agate strippers are functional and beautiful, so I usually include them.

Snake brand agate stripper
Dark cane, dark wraps, dark agate stripper
Snake brand agate stripper
Snake brand agate stripper

I make my own ferrules out of nickel-silver tubing, which, in my opinion are commonly better than machined ferrules. Making your own ferrules allows a maker to match ferrules to tapers, matching what the old masters did. For example, Lyle Dickerson commonly used step-down ferrules of his own making, and I have discovered it makes a perceptible difference in casting if you use some other style of ferrule.

step-down ferrules
14/13 step-down ferrules



I make my own reelseats, including an unusual hex-shaped bamboo reelseat that features hex-shaped nickel-silver components and a bamboo insert that matches the rod. These days I am finishing most of my rods with a catalyzed urethane clear-coat that makes for an even, tough, durable finish. Otherwise, it’s classic dipped spar varnish.


Hex Reelseat
A Hex-shaped Bamboo Reelseat With Bronzed Nickel-Silver Hex Hardware

If you find yourself interested in having me make a rod for you, please contact me (use the contact page) and let's talk. As I said, I only make a few rods a year, so you can expect to wait 6 months at least, once we've decided on a rod. For immediate gratification, jump to the bottom of this page for a list of rods I currently have in my shop and offer for sale.


Gallery of Rods

Perfectionist and a hold-over Rainbow
Perfectionist and a Hold-over rainbow

This is a rare Perfectionist clone. It's based on the Perfectionist that Paul Young made for his wife, Martha Marie. The taper is different from every other Perfectionist I've ever seen. In addition, I swelled the butt of this rod, which gives it a reserve of power that many modern clones lack. it's a true 4wt, although I note that it readily accepts WF4, DT4 and WF5 lines. Many times the mark of a good rod is that it can shine with several lines. Note the flamed-bamboo hex-shaped reelseat. This is a hold-over rainbow from Verdigre creek - started life as a stocker, but has gone "native" - just look at those colors!


martha Marie Perfectionist
Martha Marie Perfectionist

This Perfectionist is a twin to the one shown above. Taken from the same culm, just finished differently. Wraps are chinese red, tipped lemon yellow then black. This rod is destined for a rod-swap between me and two other rod-making friends of mine. Hope David likes it!


rod 2007: wraps beige tipped brown, slightly hammer-handled grip
rod 2007 beige tipped brown and grip slightly hammer-handled

The Dickerson 8013, as with the Driggs River, fits into my personal pantheon of magical rods. It's 8 feet long, 2-piece, for a 5-weight line. There are lighter eight-footers, and heavier, stronger 8-footers, but for me, few other rods find the balance of smoothness, power and "feel" that Lyle Dickerson designed into this rod. It's a wonderful tool. Cast long and the swelled butt gives it the backbone to do it; short, it has the delicate tip to give you a great presentation. With a 5-weight silk line, this taper sings.

One of the techniques I use to avoid self-deception regarding rods I make is to pay attention to what others, particularly good casters, say about the rod. The 8013 gets frequent rave reviews.

Rod 2007 is an 8 foot hollow-built Dickerson 8013, for a 5 weight line. This is another tiger-striped rod, and it features a tiger-striped hex bamboo reelseat with blued nickel-silver hardware. Done right, the hex bamboo reelseats look like an extension of the rod itself, and I think that's pretty cool.

It's hard to beat the Dickerson 8013 as an all-around rod with great smoothness and power, and hollow-building it knocked about 15% off the standard finished weight. It casts like a dream.

rod 2007: tiger-striped
rod 2007 tiger-striped bamboo

Below here is a photo of me horsing (trying to horse, uh, just holding on to!) a big hen rainbow at Arrowhead Ranch with an 8013. Arrowhead Ranch has been sold and I'll never fish there again, but it was a glorious day, wherein the rod cast callibaetis emergers, damselfly nymphs, hoppers, disco midges, and big black wooly buggers with equal aplomb. What a great rod! By the way, look at the arc of that 8013: with a "hot" fish, the tip is almost parallel with the line, taking no strain; it's the powerful butt of the rod that is fighting the fish. That's the way you protect a good rod and avoid sets.

Arrowhead Ranch
Arrowhead Ranch and a "hot" rainbow

8013
8013

8013 stripper
Stripping guide on another 8013



A recent rod I finished is 1907, a 7-1/2 foot Leonard 39dh, for a 4 weight line. I think the spalted ash reelseat is beautiful, and I like the unusual yellow-and-black jasper wraps on blond cane.

This rod has step-down ferrules that ever-so-slightly quickened the rod. It is still a VERY smooth-casting rod, but it feels like it has more power. The swelled butt keeps some mass down by your hand, which seems to add to that feeling of "the rod casting itself."

rod 1907 spalted ash reelseat
rod 1907 spalted ash reelseat


The first 2 rods I made were Driggs River Specials, designed by Paul Young. I lucked out, picking a great taper for my first try. One of my good friends uses one of these 2 rods, and I still get out the original, rod #1, and fish it both on streams and for bluegills. People call this taper "parabolic", but having cast some Young Paras, as well as several Pezon et Michel parabolics, I have to say that from my point of view, the Driggs is not a true parabolic. it's not as tip-heavy as they are, and it doesn't have that same "loopy", "wait for it, ... wait for it,... OK, now go forward" casting timing that the true paras have. Look at a graph of the Driggs taper compared to the Young Paras, and it's immediately apaprent that they are different animals. It's still got great power, and it still roll-casts like a dream, but it's quicker and easier to handle than they are. By the way, I've seen 10 published versions of the Driggs, taper, so don't assume that the one I'm talking about is the same one you might be familiar with - there's a pretty wide variance.

This rod has an osage orange reelseat spacer that has aged to a light chestnut color. As you can see, it's a near-perfect match to the wraps, which are color-preserved antique gold, tipped maroon.

Driggs river
Driggs River - 7ft2 4/5 wt

This shiney brown was caught in a small brushy stream on the Driggs above - just the kind of place this rod excels at!

Driggs river and a Small-Stream Brown
Driggs River and a Very Nice Small Stream Brown

Here's another Driggs, antique gold wraps tipped red, with bronze Snake brand guides and a nice amber-colored stripper.

Driggs river
Driggs River - 7ft2 4/5 wt


The Big Driggs 7-foot 9-inch rod was an experiment, stretching the 7ft2 Driggs River, and bumping it up one line weight. I love the Driggs River (see above) but sometimes on bigger water, I felt that you just need a little more rod. This one came out maybe a little heavier than I was anticipating, but I noticed that the people who picked up the rod and cast it without having that pre-conceived notion in their heads thought it was a very nice rod: easy to get the timing down, and plenty of power to punch line out.

I'm including it here because of the tiger-striped cane and clear wraps tipped black. Together, they make for a striking look. On a rack of rods, that one will be picked up and looked at early on, just because of its looks. it's not as easy as it may look to get all the tiger-stripes lined up around the rod, as you flame, plane and glue splines, but the look is worth it, so I'll be trying it again sometime soon.

Big Driggs 7ft9
Tiger-striped cane on Big Driggs 7ft9


Paul Young Midge


Mitey Midge Signature
Mitey Midge 13 signature

Certain people seem to have a bigger presence than they do in real life. The Paul Young Midge is a rod like that. In the rod-making world, it's diminutive at 6ft3, but it casts a DT4 with real authority. It's a great small-stream rod, useful in both up-stream and down-stream situations. Some people who have yet to cast it consider it a "toy", but not many who have used it to cast hopper-dropper rigs betwen big clumps of grass in tight spring creeks would call it a "toy." It excels at work in tight quarters.

Both these rods were flamed deep at the butt, fading to almost blond at the tip. It's an unusual and striking look. The top rod has a buck-eye burl reelseat that complements the "black-and-tan" flaming. The second rod features a hex reelseat flamed a deep mahogany, set off by the bright nickel-silver hardware.

Mitey Midge reelseat
Buckeye burl reelseat

Mitey Midge reelseat
Flamed Hex reelseat, flamed Midge

PMQs. "Poor Man's Quad." 2 strips of bamboo, tapered and glued inside-face-to-inside-face.

They are so simple, they shouldn't cast worth beans. But they do! Not a commerical endeavour, just something to do for fun, to surprise people, or to give away. That's not to say that they are toys! This one is based on the Edwards 43, an 8-foot 5-weight rod, that is a smooth caster with plenty of power for 40- to 50-foot casts, "give" to protect tippets, but backbone to muscle bigger fish.

This particular rod, I wrapped red-and-white jasper tipped flag blue, with the butt wrap blue tipped white then red. It went to a vet.

8ft PMQ
8ft PMQ; behind it is a Peerless on a Driggs River


I've been experimenting with an alternative geometry, invented in Switzerland, that we call Tri-Hex. Rather than building a rod with 6 equilateral triangles, the Tri-Hex is composed of 3 large triangles with the apexes shaved off, and 3 small triangles. It makes for a rod that, in cross-section, looks like a big trangle with the corners cut off.

Why go to the trouble? Because it has better power and finesse per weight than any equivalent hex.

Tri-Hext
The drawing illustrates construction; note the different-sized flats

On this particular rod, I turned a burled redwood reelseat spacer, and then engraved the cap and ring with a hopvine pattern (if you read "Philospohy", above, you know why.


8013 wt reelseat
8013WT reelseat

A few years ago I read about a guy who was turning down big left-over hex bamboo sections, to make round bamboo reelseats. That got me to wondering why a person couldn't make HEX reelseats. Well, shaping the nickel-silver into hex components is why, but I got a couple tools that made it possible, and this is the result. I've put them on a couple rods now, and they really complement a hex rod. This reelseat is on a personal rod, a 7ft9 3-pc rod based on the Dickerson 8013. It casts one heck of a 6DT line.

hex reelseat
Hex bamboo reelseat for a hex rod

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Rods Available For Sale

I am currently offering some rod-building components for sale, guides and agate stripping guides. Go to the Accessories Page for more information.

The Seven - Four 2/2 $695

This 7-foot 4-weight is based on the Sir D taper, designed by Wayne Cattanaugh in honor of Daryl Hayashida. It's a light, dry-fly 4wt, best for me with a Rio Grande WF4 line. Even medium brown flamed cane, torpedo grip and a burled redwood reelseat. Hardware and 12/64th Super-Z ferrules made on my lathe. Wrapped translucent red silk, tipped black. Fished a couple times, and cast at a couple shows. Still has the plastic on the grip.

Sevevn foot, Four Weight
Seven Foot Four weight, 2 tips




Payne 98 Clone, Bamboo Ferrule 2/1 $595

The Payne 98 is a 7-foot 4/5-weight, 2-piece rod. This experimental rod is hollow-built, and features bamboo ferrules, rather than the standard nickel-silver. The bottom end of the tip is swelled, then hollowed to form the female ferrule, then the top of the butt section fits into it. Bamboo ferrules make a rod lighter, and smoother, as there is no longer the interruption in the flow of casting energy which occurs as the casting impulse passses through the un-flexing metal ferrules.

Payne tapers are already known for their smooth casting characteristics, and the bamboo ferrule doesn't diminish that, rather the contrary. HEx reelseat, delicate Snake brand agate stripper, bronze finish guides, wraps are salmon tipped spring green.

Several rodmakers and certified casters have praised this rod, but I have to say, it isn't my favorite, so it can find a new home. An awful nice rod for small streams and delicate presentations though, and so light that you will fish all day. Fished a couple times.

payne 98 clone
Bamboo-ferruled Payne 98 clone

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